Introduction to the topic
True crime has evolved into a massively popular media genre, spanning books, podcasts, documentaries, and social media. Its appeal is especially notable among women, leading scholars to suggest it functions as a form of survival education — offering stories of danger, caution, and empowerment. These narratives often center female victims and allow audiences to engage with fears in a safe, controlled environment.
However, this prevailing explanation may overlook the complexity of true crime consumption. Academic and cultural discourse frequently pathologizes women’s interest in the genre, framing it through lenses of fear, trauma, and emotional vulnerability. In contrast, male-oriented consumption of violent nonfiction media — such as war documentaries, military podcasts, or serial killer fandoms — receives little critical attention and is instead framed as rational, informative, knowledge-seeking, and intellectually curious, and is seldom examined for its emotional or gendered implications.
This imbalance suggests a deeper problem: while true crime studies often aim to critique gendered representations, they may unintentionally reinforce stereotypes of passive femininity and emotional excess. Meanwhile, male spectatorship is normalized as rational and factual.
Project details
This qualitative research project investigates how gender shapes the consumption and interpretation of real violence-oriented media. The project has a three-part aim, with each component interconnected to build a comprehensive critical inquiry into gender, violence, and media consumption — addressing gaps in true crime scholarship. It aims to challenge dominant narratives in both academic and popular discourse that disproportionately pathologize female interest in true crime, while comparatively neglecting male engagement with real violent content.
The expected outcome is the production of at least one scholarly article that critically rethinks dominant gender narratives in true crime research and broadens the conceptual framework for understanding violent media consumption beyond the “female fear” paradigm.
Selected relevant publications
- Morgan R (2025). True-Crime Television: An Analysis of the Experiences of Female Viewers (Doctoral dissertation, Capella University). Retrieved from https://www.proquest.com/openview/0026fb03130fdda608f1b3518b837110/1?pq‑origsite=gscholar&cbl=18750&diss=y
- Slakoff DC, Duran D (2023). A new media frontier, or more of the same? A descriptive analysis of the “missing white woman syndrome” in top true crime podcasts. Race and Justice. Advance online publication. doi: 10.1177/21533687231199271
- Vicary AM, Fraley RC (2010). Captured by true crime: Why are women drawn to tales of rape, murder, and serial killers? Social Psychological and Personality Science, 1(1), 81–86. doi: 10.1177/1948550609355486
Syllabus
The syllabus for this course is currently under development. A draft syllabus will be listed here as soon as it is available.
This is a draft syllabus. The final syllabus will be available here a few days prior to the new course’s first start date.
Additional research application required
You will need to submit an additional research application through Student Registration in order to enroll in this course.
To submit your research application, you must already be admitted to DIS.
All research application materials must be submitted on the following dates by 23:59 Central European Time:
- November 1 for spring semester applicants
- May 1 for fall semester applicants
Complete your additional research application through Student Registration.
Faculty
Sara Hellqvist Bailey
FacultyPhD Candidate, Dept. of Criminology, Stockholm University. MPhil, Dept. of Psychology, Stockholm University. PhD candidate in criminology, Dept. of Criminology, Stockholm University, present; Research coordinator and assistant, Dept. of Special Education, Stockholm University, present; Project coordinator for access-to-justice projects, 2021-2023. With DIS since 2025.
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